Marty's royal nite

Asa Butterfield and Chloe Moretz Ben Kingsley unwinds having a clockwork date. Prince Charles welcomes Martin Scorsese. Martin Scorsese and the pic's Parisian troop walked out onto London's red-colored carpet Monday for that royal premiere of Paramount's "Hugo."The Prince of Wales and also the Duchess of Cornwall were visitors of recognition for that special annual screening, in colaboration with the Cinema and tv Benevolent Fund.Scorsese stated it was his first regal screening. "The topic few these films does not normally lend itself for this type of factor, but here you will find there's excellent family film!" he stated.Lead talent including Ben Kingsley, Chloe Sophistication Moretz and Asa Butterfield welcomed fans, together with producer Graham King and also the novel's scribe, John Selznick, before heading inside in front of meeting the royal couple.After, visitors visited toward the Thames for that Corinthia Hotel after-party, which ongoing late in to the evening. Contact the range newsroom at news@variety.com

Why Roger Ebert Sits in the Back Row

“‘I’ve noticed that the publicists have started to sit behind me,” [Gene Siskel] explained. ‘I think they’re supposed to spy on my reactions and report back to the studios.’ I doubted this was true, but now I became aware of Siskel sitting behind me, possibly to spy on my reactions. So I moved to the back row to outwit the son of a bitch. I picked the end of the row nearest the door, so I could sneak out to the men’s room without calling undue attention to myself. Most people have bladders the size of oil drums, but I usually have to pee at least once during a movie. A few of my colleagues share this need, and I am sympathetic while watching them bend over and make a Groucho Marx run in front of the screen in the futile hope that no one will notice them.” You relate, right? [Roger Ebert’s Blog]

Occupy Los Angeles: Hundreds of Protesters Planning to Defy Midnight Eviction

This story first appeared in the Dec. 2 issue of The Hollywood Reporter magazine.our editor recommendsFrom 'The Artist' to 'War Horse,' 23 Awards Contenders That Prominently Feature Animals (Photos)The Making of 'The Artist''The Artist' Star Berenice Bejo to Wear Her 1920s Costumes on Red CarpetsHow Rin Tin Tin Ruined Any Oscar Shot for 'The Artist's' Jack RussellMichel Hazanavicius, the Artist Behind 'The Artist,' On the Great Crowd-Pleaser (Video) Somehow, Michel Hazanavicius managed to come up with something that even the French thought was loopy. For years, the Parisian writer-director -- an analytical guy who sees filmmaking as what he calls "playing with codes" -- had been captivated by an idea. But financiers got cold feet just hearing about it; the boutique television stations that typically fund sophisticated European films walked away. Even in a nation of cineastes and revival houses -- a country in which a major film movement was once launched by a band of movie critics -- his dream looked to be dead on arrival. PHOTOS: The Making of 'The Artist' "I wanted to make one for a long time," the director says about his fascination with doing a black-and-white silent set in the 1920s. His long limbs folded over a table at the Four Seasons Beverly Hills, he talks about his heroes like F.W. Murnau and Fritz Lang. "But it's even difficult to convince myself, or to convince anyone else, it is even possible. I found that some producers -- really all of them -- were a little bit cold." It didn't help that the 44-year-old Hazanavicius was known in France for the box-office-friendly, period-conscious OSS 117 spy parodies, in which a kind of Gallic Bond scampers through the 1950s and '60s. "What I needed was a crazy guy," he says. Enter Thomas Langmann, 40, whom Hazanavicius calls "the craziest producer in France." Langmann, the son of Oscar winner Claude Berri (who directed Manon of the Spring and produced Roman Polanski's Tess), worked a bit with Soderbergh and Coppola as a young man and produced some French smashes in his 30s. Langmann sees producing as a species of gambling. "It was always about betting on directors," he says of the philosophy his father passed down. "I knew if we made a film in black and white and we succeeded, it would be original." It took director and producer awhile to sync up -- early ideas such as a feature with an invisible protagonist didn't make the cut. "I really wanted to make an entertaining movie," Hazanavicius says, noting that many European silents were tragic romances. "I thought it was unfair to ask people to come to a black-and-white silent movie that was also dark -- it would be too much." But finally the two came up with an idea that worked: a film about a '20s matinee idol who struggles with the advent of talkies. PHOTOS: Behind the Scenes of our Directors Roundtable Photo Shoot With Michel Hazanavicius The movie that resulted is being talked about as the first silent film with real best-picture Oscar chances since Wings, the 1927 Clara Bow film that arrived soon before the talkies changed the game (it won). The Artist opened in the U.S. on Nov. 25 -- just two screens each in NY and Los Angeles -- but already has banked an impressive $12 million since its release in France in October. More important, the film took the best actor award at Cannes, where it played to rapturous audiences, and it has gone on to seduce judges at festivals around the world and sweep the season's audience awards from Chicago to the Hamptons to San Sebastien. "It is as wonderful a film as it is modern," says silent-film collector and producer Serge Bromberg, who has seen the movie six times at festivals, "with jaw-dropping cinematography, good acting, wonderful knowledge of classic cinema. And it has the flavor of the old. But it is not a film of the '20s; the pace is not the same, and its constant humor gives it some distance from what a film of the '20s would be." Hazanavicius was already an admirer of the silent era, but as he wrote, he immersed himself deeply for several months, reading actors' biographies, going to screenings of Murnau and Frank Borzage and early John Ford at Paris' Cinematheque, studying photographs and playing music of the '20s and early '30s. STORY: 'The Artist' Star Berenice Bejo to Wear Her 1920s Costumes on Red Carpets He wanted Jean Dujardin -- a bankable French star known mostly for comic roles -- to play the lead, Valentin. "Of course, I said: 'You're crazy. It's impossible,' " says Dujardin. Hazanavicius also asked his girlfriend, Berenice Bejo, the Argentina-born French actress who appeared in A Knight's Tale and in his OSS films, to play a studio extra named Peppy, shot into fame by a chance encounter. "I said, 'No way -- no way,' " recalls Bejo, who has two children with the director. "Not with me." The two eventually were persuaded, and their presence caused a change in the movie itself. The original vision for the film focused on Valentin's isolation. But as Hazanavicius got deeper into the film, Peppy began to seem major, and the movie became a romance. Dujardin had only ever scratched the era's surface. "I knew only the masterpieces of Keaton and Chaplin," he says. "It was a real discovery for me to find King Vidor's The Crowd," a film about a man lost in the big city of the 1920s that the actor calls "very modern, very touching; it helped me to assemble all the different references." PHOTOS: It's a Zoo This Season: 23 Awards Contenders Featuring Animals As a model for his character, he found Douglas Fairbanks -- the actor who started making films in 1915 and whose career faded as talkies ascended. "In all his films," Dujardin says, "he doesn't ask himself any questions," never straining against the limits of the swashbuckling style required by such films as Robin Hood and The Mark of Zorro. "It's pathetic when you know the talkies are coming, but he's also very generous. He's like my character George Valentin: He can be arrogant, but he has integrity. He believes in his art. He fights for it." (Valentin needs that integrity -- as he spirals downward, it's all he has, besides liquor and an attentive, scene-stealing dog to keep him warm.) Bejo's research found inspiration in Gloria Swanson -- who, unlike Fairbanks, excelled after the silent era. She fell for Swanson's autobiography, which describes a life very different from the desiccated former star she played in Sunset Boulevard. "She started in the silent period and then went to the talkies and then to TV," Bejo says. "I got a sense of the atmosphere of the period." To make a film about Hollywood, Langmann reasoned, you had to shoot there. By now he'd drawn some funding from French station Canal+ and invested considerably from his own company, La Petite Reine. But the costs of coming to America -- and surrendering French government subsidies -- raised the stakes substantially. (The film's eventual budget came close to $20 million.) STORY: 'The Artist': The Not-So-Silent Entry Shooting at the Paramount and Warner Bros. lots -- as well as locations like the beautifully lit center court of downtown L.A.'s 1893 Bradbury Building, known to film buffs for its role in Blade Runner -- inspired the crew over the 35-day shoot. (Dujardin was put up in an old house in the Hollywood Hills -- he thinks to amplify his isolation for his slide in the movie's second act.) "Hollywood, in my opinion, is the big star of the movie," says Hazanavicius. Also crucial to re-creating the era onscreen was the work of costume designer Mark Bridges, who worked on all of Paul Thomas Anderson's films, including Boogie Nights and There Will Be Blood. Some of his vision for The Artist came from the MGM documentary 1925 Studio Tour. "You could see what the carpenters, what the plasterers wore," he says. "Even those guys in their bib overalls had a necktie. And a lot of hats, either for warmth or bad hair days." Surprisingly, director of photography Guillaume Schiffman shot the film in color because today's black and white is too sharp, not grainy enough. He used unusual filters to diffuse the whites and mute the blacks slightly -- and as the film went on, with its main character losing some of his sheen, the light got grayer. Although Hazanavicius deliberately had chosen very expressive actors -- Americans John Goodman, James Cromwell and Penelope Ann Miller round out the cast -- they found the limitations were difficult at first. For Bejo, working without lines threw her off. (The actors improvised in English while onscreen, to give their mouths something to do, mixed with a few of the "lines" shown to the audience on intertitles.) But she eventually found a way to inhabit the role. "If it was a talking movie, she would have been the same -- would have moved the same way, winked the same way, danced the same way," she says. "The challenge was to try to focus on the body language, but the rest of it was finding a way of being an American actress. I think of American actors -- they take up a lot of space, they talk really loud, they talk with their hands. So I had to find that, since being a French actor, everything is more petite." STORY: How 'The Artist's' Fashions Are Impacting the Red Carpet To keep communing with the past, the director kept the music of the era -- George Gershwin, Cole Porter -- in constant rotation while they shot, and he brought cast and crew to see films at the Silent Movie Theatre on Fairfax, and to the Nuart for its revival of Murnau's Sunrise: A Song of Two Humans (a morality tale about the corrupting influence of the city Murnau made for Fox in 1927) . The director applied some of what he learned: Murnau, for instance, had instructed his protagonist from Sunrise to wear heavy, weighted shoes on set after he fell on hard times; Hazanavicius did something similar when he dressed his fallen star in suits slightly too big for him. "He's not as perfect as he was in the first act," he says. Hazanavicius credits the world's fascination with Hollywood for the film's international appeal, but the enormous enthusiasm of Harvey Weinstein is the reason it has exploded out of the gates during the festival season into the awards race. Weinstein, who had enjoyed the OSS films, had heard about the movie from Langmann and in March flew to Paris, where he saw the film alone in a screening room. Weinstein was not ambiguous in his praise. The Artist, he says now, "treasures the American cinema I love. It's an inspiration, everything about the movie -- where they shot the movie, the way they used American cast and crew. It's just a love letter to American cinema." Langmann was impressed with Weinstein's urge to pull the trigger without any associates along to vet the decision. It was still months before Cannes -- it was not even assured at this point that the film would be released in France -- but by the time of the festival, the deal to distribute in the U.S., the U.K. and other regions was done. The film ends with a tap dance that required more work than anything else in the film. "I think 95 percent of the preparation was for the tap dancing," Hazanavicius says. Bejo recalls her practice with both pleasure and exasperation: "Five months, every day." The film was shot in as close to real sequence as possible -- in part to give the actors time to learn to tap dance, and partly so they would travel the same journey as George and Peppy before arriving at the climactic scene. "The dance is all about their characters," Hazanavicius says. "If it's just a performance, it's not interesting." Bejo's attitude toward the conclusion captures some of the quality that makes her character -- and the film -- so winning. "I kept telling myself: 'Just smile, look at each other, enjoy the moment. The happier you are, the less people will look at your feet. Just act, don't try to be good -- your feet will follow.' " PHOTO GALLERY: View Gallery The Making of 'The Artist' Related Topics The Artist 1 2 next last

HLN Verifies 'The Pleasure Behar Show' Is Not Restored

As THR formerly reported, Pleasure Behar's HLN show will finish its 2 year run in the year's finish.our editor recommendsHost Pleasure Behar Set to Exit HLN at Year's EndVIDEO: Pleasure Behar Has Another Episode on 'The View' "The show is not restored," verifies a representative Thursday. Behar's last show tape is going to be mid-December. Among HLN's current programs will transfer to the ten p.m. timeslot, however the Turner-possessed cable news network isn't ready to make a comment around the new line-up at this time. VIDEO: Pleasure Behar Has Another Episode on 'The View' "I'm very happy with the reveal that we produced at HLN and that i owe tremendous because of the show team who managed to get possible," Behar stated inside a statement. Added HLN gm Scot Safon, "Pleasure and her team created over 500 instances of a reveal that featured news-making interviews, great conversation and lots of humor. We thank Pleasure for that many memorable moments she gave the HLN audience." STORY: Pleasure Behar Describes Why She Walked Off 'The View' While Behar's show is a critical rankings driver for CNN's sister network -Up 38 percent within the third quarter -- HLN is thought to become shifting its focus beyond entertainment news and trial coverage. Safron lately told TV Newser the network could be adding election coverage having a target the people behind the politics and military coverage. The lately married Behar continues like a co-host on ABC's The Vista. Related Subjects The Vista Pleasure Behar HLN

Rock Center Can get Large Story, Ratings Boost

Rock Center with John Williams The most recent show while using smallest audience inside the Monday-at-10/9c time slot made the finest news - but got a ratings boost. Within the third week round the air, Rock Center with John Williams acquired its first large "get" as Bob Costas asked former Penn Condition assistant football coach Jerry Sandusky in regards to the child sexual abuse accusations against him, getting in 4.49 million audiences and posting single.3 rating among 18-to-49-year-olds - a thirty percent increase in the demo. Furthermore, it marked the newsmagazine's finest viewership yet, though that bar is low with audiences of three.51 million and 4.13 million within the initial few days. In Rock Center interview, Jerry Sandusky declines sex abuse charges Still, Nielsen overnight figures demonstrate that it ongoing to become a distant third with a unique of ABC's 20/20 - which itself acquired a scoop with Diane Sawyer ending up in Repetition. Gabrielle Giffords - and CBS' Hawaii Five- people shows attracted audiences of 13.35 million (2.8 demo rating) and 11.47 million (3.3), correspondingly. Read our Dwts recap Dwts averaged 18.50 million and three.34 demo rating over two several hours beginning at 8/7c on ABC. Inside the same span, NBC's The Sing-Off attracted in 4.75 million (1.5). Fox's tandem of Terra Nova and House attracted 7.06 million audiences (2.3 demo rating) and 6.66 million (2.5, correspondingly, throughout The CW, Gossip Girl came 1.24 million (.6) and Hart of Dixie 1.58 million (.6). See the relaxation in the day's news on TVGuide.com For that CBS comedy block, it aided the network to have an overall ratings victory: The Way In Which I Met Your Mother (10.38 million/4.5 demo rating) 2 Broke Women (11.68 million/4.8, finest demo since the series premiere) two and a half Males (14.59 million/5.3, the night's demo high) and Mike & Molly (12.23 million/4.4).

Katy Perry Announces Free Concert at Staples Center

By having an appearance in the Ellen DeGeneres Show set to air Friday, Katy Perry introduced they has added another show at La' Staples Center, nevertheless the show will probably be free.our editor recommendsKaty Perry's 'Teenage Dream': Capitol to produce Sixth Single Within the AlbumMTV Video Music Honours Champion Katy Perry: Firework Can be a Movement (Video) Set to happen on November. 23, one following day of her offered-out show within the same venue, the free show wound up being to provide due to the fans for support all year round. Named Katy Perry Gives Thanks, the show systems up Perry's 122-date California Dreams trek. "I am giving due to my fans," mentioned Perry around the program. "That is my large announcement on Ellen that nobody knows or understands. I carried out 121 appears towards the 23rd date, and If only to complete it by leasing out Staples myself and giving a free of charge concert to anybody on earth that wants get through to the California Dreams Tour as my last show." The singer, that's been married to British actor-comedian Russell Brand since October 2010, also spoken about the potential for beginning a family group. "Yeah, I must have children," she mentioned. "In my opinion that's one reason you have married. Especially towards the one who you marry. You think, that each will most likely be considered a great partner, an excellent parent. But, I'm unsure it's yet. We'll see, ya know." Perry came out on Ellen to debut the music activity video for "One Which Got Away," directed by Floria Sigimondi. To date this year, Perry remains nominated for four Grammy Honours, had five No. 1 singles and needed home an MTV VMA for video of year. She's nominated for 3 American Music Honours and contains seven Peoples Choice noms. Billboard brought with this report. Related Subjects Katy Perry

'Prometheus' Particulars: Ridley Scott Offers Update on 'Alien' Connections

'Alien' fans happen to be pretty excited at the possibilities of 'Prometheus,' Ridley Scott's first science-fiction film in almost 30 years. Up to this time, there's been lots of speculation all around the plot from the movie, and whether it'll tie in to the 'Alien' franchise. Within an interview using the Wall Street Journal, Scott addressed the 'Prometheus'-'Alien' connection -- together with the overall styles from the film -- as cryptically as you possibly can. Around the styles of 'Prometheus' The central metaphor of 'Prometheus' is all about a "greater being" who challenges the gods, and also the gods don't wish to provide him fire. "Fire is our first type of technology," Scott states, and thus if you take fire, the greater being is punished "in perpetuity inside a horrible fashion." Similar to the story from the mythological god, Prometheus, who stole fire from Zeus as well as for his actions was certain to a rock by having an bald eagle forever consuming his liver. Around the 'Alien' connection and whether Sigourney Weaver will return for 'Prometheus' The final eight minutes from the "Prometheus" story evolve into "an excellent DNA from the 'Alien' one." ... We confirmed with twentieth century Fox that Sigourney Weaver, star from the first four 'Alien' films, does not create a cameo in 'Prometheus.' So, not a great deal of information to utilize here, but, hey: it is something. Scott also talked about his utilization of three dimensional on 'Prometheus.' Read the whole factor over on WSJ's Speakeasy blog. [via WSJ] [Photo: Getty Images] Follow Moviefone on Twitter Like Moviefone on Facebook

'Glee' Star's Father Wiped out inside the Philippines

Shop dead the estranged father of singer Charice Pempengco in the hit Tv program Glee remains stabbed to dying in their hometown of Laguna inside the Philippines.our editor recommendsCharice To 'Glee,' Sings 'All by Myself' (Video)Charice: 'Glee' Is Important for Internet Artists Police Senior Supt. Gilbert Cruz mentioned Tuesday that Ough Pempengco, 40, is at an outlet in San Pedro township when he accidentally blown against a drunk guy. Cruz states the angry suspect stabbed Pempengco by getting an ice pick inside the chest and back, killing him instantly late Monday. According to him analysis revealed no old grudges involving the two as well as the killing came out random. "I loved him which i'll still love him. He's still my dad ultimately," the singer mentioned on her behalf account Twitter account. A manhunt remains launched for your suspect. Cruz has offered a 20,000 pesos ($470) reward. Pempengco was estranged from his daughter, Charice, a 19-year-old songstress who's famous in Asia combined having a recurring role round the second season of Glee. Related Subjects Glee Worldwide Asia